Steve narrating: Previously on "Warehouse 13."
Steve (offscreen): For a second there,
You were a lot like my big sister.
-where's she live?
What's she do?
Details.
-she died a while back.
Brother adrian (offscreen): If you do this,
Anyone you tell will be in grave danger.
Steve (offscreen): I figured it out.
Whenever I get hurt--
-ow, oh, they got me.
Steve (offscreen): --Claudia feels the pain.
Now you and I both know that taking myself off the metronome
Might be the only way to keep Claudia safe.
-I want you to find a certain artifact before it finds me.
-but what does-- what does brother adrian want?
-none of your business.
-well, actually, dude made it our business
When he unleashed crazy alice and fischer's marbles back
Into the world.
-yeah, and when we almost buried steve and Claudia alive.
-which is why I don't want to put any of you
In any more danger.
Additionally, we have a ping, one leonard bukowski.
He checked into a hospital in dalton, west virginia,
And he had a rust-like rash covering his face and arm,
Coughing up blood and particles of iron oxide.
-rusting, huh?
Well, maybe a witch left him out in the rain.
Or, or-- or this is really serious,
And I should stop making jokes.
-now there's a thought.
All right, a little light reading for the plane.
-no, no, no, no.
I see what you're doing, Artie.
We need to talk--
-a man is rusting in west virginia.
You have lives to save.
Go.
-you know, one of these days, there won't be a ping,
And you'll actually have to tell us things.
-oh, darn, that was last tuesday.
Go!
Go, go, go.
Go.
[SIGH]
Claudia (offscreen): So, let's talk brother adrian.
-oh, dear god, help me.
-what exactly does this brother want you to do, convert?
-don't shave your head.
That's not a good look for you.
-you either.
Besides, you've got way bigger fish to fry.
-like?
-like getting steve off maelzel's metronome.
Steve (offscreen): Oh, you keep the metronome in there.
(sarcastically) that's so comforting.
So have you heard back from germany?
-yes.
One of the descendants of robert schumann, the composer,
He confirms that schumann owned the metronome in the 1830s.
-whoa, whoa, whoa, whoa, whoa.
Can you hang on a sec, siri?
Do we even know the risks of doing
This b-before we try any wacky plans?
-I thought that you wanted this, too.
-yeah, I want the version where you don't die again.
What's the big rush?
Ow!
Ok, made your point.
-yes.
Uh, schumann tried to kill himself in 1833,
But clara wieck, fiancee, she kept
Him alive via the metronome, which, sadly,
Also drove him insane.
-super.
-yes.
In 1839, schumann got free of the metronome.
And he wrote, "to live free of this heart,
One must first find one's own and make
A pure start from whence one comes."
-from whence one comes.
New jersey?
-it's probably where you were born.
You were born at home, right?
-see?
It's a riddle.
Go solve it.
-there has to be another way. Artie (offscreen): There isn't.
Go.
Fly.
Be free, before you go insane, like schumann.
Mrs. Frederic (offscreen): Hello, arthur.
Very clever.
I barely even saw the screen.
Now let's talk about brother adrian.
-I-- I don't know what h. G. May have told you.
-about brother adrian?
-or you using magellan's astrolabe to turn back time?
Mrs. Frederic (offscreen): Ever since mr. Sykes
Tried to destroy the Warehouse, I've
Known that something had altered time.
And that something appears to be you.
Arthur, how could you take such a risk
With so formidable an artifact?
-I had no choice!
The Warehouse was gone.
You were gone.
You too, h. G. You saved Pete.
You saved Myka and me, but you were killed.
-that's why you pled to the regents on my behalf.
-and the ytterbium chamber?
-was destroyed.
-pandora's box?
-gone.
-what about hope?
-all gone!
Did I do wrong?
-no.
I would have done the same.
But arthur, what are the repercussions?
-he said that I would be creating
An evil of my own making that I would
Have to live with for the rest of my days.
[THEME MUSIC]
Myka (offscreen): Mr. Bukowski, when did all this start?
Last night, I guess.
I started coughing as I left the mill.
-the siskel steel mill.
Oh, that's right.
I read the file. [laugh] so you work over there, or--
-me and every other mook south of 50 in dalton, yes.
-is that where you got sick?
-docs have been running tests.
Everything's negative.
They won't even let me out for the fights tonight.
Pete (offscreen): Right.
Uh, lenny, have you received any old timey tools or equipment
Lately?
-equi-- no.
-what about enemies?
-enemies, no.
People like me.
The only person I ever hated who hates me right back
Is hank siskel.
-oh, the owner of the mill.
Why?
-he's been withholding paychecks for weeks.
[cough] he just laid off 30 guys, says he's bankrupt,
Which is bull.
So we pushed back.
We started talking to the press, picketing.
We're just trying to save our jobs-- [coughing]
-sorry.
He really should rest now.
-mr. Bukowski, thank you for your time.
[COUGHING]
-uh, would you call me if there's any change?
-so, this is jinksyland, huh?
Oh, look at that.
I totally see you all sporty teen out here,
Shooting hoops with dad.
-mom, actually.
This is a bad idea.
-no, steve, come on.
We're here.
Do you want to tell me why you don't
Want to go in there so bad before we actually go in there?
-look, my mom and I, we-- we had a fight.
-what, about the gay thing?
-what? No, no, no.
She doesn't care about that.
This is new jersey, not north carolina.
-ok, then what?
-can we just do this and go home?
-yeah, ok, sure.
Let's meet evil mom.
-steven.
-hi, mom.
-oh, thank goodness you're here.
-mom.
Mom, mom, mom-- this-- this is my friend Claudia.
-hi.
-nice to meet you, mrs. Jinks.
-wonderful to meet you too.
Welcome.
I'm so happy to see you both.
Come on in. Mrs. Frederic (offscreen): Ok.
-come on in.
Come in.
-wow, what a nightmare for you.
[SIGH]
Workers (offscreen, chanting): Hell no, we won't go.
We want jobs.
We won't go.
Hell no, we won't go.
We want jobs.
We won't go.
Hell no, we won't go.
We want jobs.
We won't go.
Hell no, we won't go.
-let's go, sheriff.
I gotta get in.
-ok.
So these places are toxic.
Cancer, asbestos, black lung.
-yeah, but nothing that makes you rust.
-get outta my way.
Move it!
[SHOUTING]
Steve (offscreen, shouting): Hey, hey, hey, hey.
Break it up, break it up!
Break it up.
-let go!
-somebody's working today, jerk.
-who the hell are you?
The feds are finally coming after siskel.
-nah.
No, we're not here for him.
We're trying to find out what happened to lenny bukowski.
-[coughing] yeah?
Well, you can put that on siskel, too.
I'm sam garity, the union rep here.
[PHONE RINGING]
-'scuse me.
-first, the gantry accidentally breaks,
And the foreman nearly gets killed trying to fix it.
-yeah, right after he filed a complaint.
-yeah.
Then lenny gets sick, and now siskel's
Threatening to shut down the mill?
-myks.
-yeah?
-that was lenny's doctor.
Said his lung tissue's so bad, they
Had to remove a large part of it.
[COUGHING]
-are you all right?
-oh my god.
Pete, call an ambulance!
-I don't know.
It's pretty gnarly, Artie.
This guy's arm's all cracking and orange.
Kind of like an old car at the beach.
-do you have any leads on the artifact?
-no, no, not really.
This guy, siskel, the owner of the mill,
His steel workers are sure he's behind it all,
But they have no proof.
-rather idiotic, isn't it, causing an accident
At his own mill?
-and then calling attention to yourself
By making your workers sick.
-yeah, except according to the sheriff,
He-- he's broken up two fights in three days.
The first time, uh, siskel went up against lenny bukowski.
And today, it was tim.
Both of them wound up in the hospital.
I-- I think that's pretty suspicious.
-yeah.
Yeah, that seems suspicious.
-I just said that.
-yes, I know.
I was just confirming it.
Look, I don't have very much on siskel
Because I've been distracted.
But I can tell you that he changed his name from hank
Blalock to hank siskel in 2001.
-oh, well, that's pretty sketchball.
-indeed.
Sketchball, sketchball.
What would be the etymology of--
-arthur's very busy.
-oh, hello.
-Mrs. Frederic?
-you're grown agents.
Handle it.
You're stalling.
-no, I am not.
I'm-- wh-- where was I?
-creating an evil of your own making.
What exactly is this evil?
-uh--
-arthur, I know you have theories.
-actually, I don't.
All I have is-- I have a feeling.
-I'm guessing a bad feeling.
-yes.
It makes me nauseous.
But it's all I have, a feeling that the evil
Is-- it may be Claudia.
-Claudia?
-what makes you think this?
-it's a nightmare.
Technically, it's a vision.
She's coming at me with a dagger,
And then-- she stabs me with it.
H. G. Wells (offscreen): The dagger you tasked me to find.
-yes.
I wanted you to find it so that she wouldn't.
Mrs. Frederic (offscreen): You're mistaken, trust me.
If you'd created an evil in Claudia, I'd know it.
-all right.
Then what is it?
What's the evil?
-have you considered the man who's
Been bringing artifacts back into the world,
The one who's trying to kill the people you care about?
That this brother adrian is the evil?
Claudia (offscreen): Yeah.
Oh, that is definitely the smell.
-it's acai mate tea from peru.
Steven and I used to drink this almost every day.
-oh, he still does, matter of fact.
Otherwise, he gets very, very cranky.
-uh, I'm sorry.
It's just that something you said,
You so-- you so reminded me of my--
-mom.
Thanks for the tea.
-well, um, I'm just glad that you have such nice friends.
So I don't even know.
Are you, uh-- are you still at the atf?
-yep.
Told you, nothing's changed.
-and you're still living in new jersey?
Steve (offscreen): Well, no, not really.
-all right.
So, uh, you know what?
I can come visit you anywhere.
I love to travel--
-you can't.
It's complicated.
-all right.
Steven, it has been two years.
I am still your mother, and I love you.
When are we going to talk about it?
-we're not, mom.
Right now, we just need to do something here, in the house.
And then we'll get out of your hair.
-well, this is your house, too.
And for the record, I don't want you out of my hair.
H. G. Wells (offscreen): Well, it makes sense.
He wanted you to lie.
He wants you isolated and vulnerable.
-yet for what purpose?
-all I know is that he wants me to use the astrolabe again.
He wants me to undo that day that I altered.
But it's something that I-- I can't do.
I can't-- I won't do it.
Mrs. Frederic (offscreen): I assume the astrolabe is safe.
-yes, of course it is.
It's safe.
But if brother adrian is the evil,
Then why am I having these visions about Claudia?
Mrs. Frederic (offscreen): Arthur, croatia, vienna,
Stuttgart.
You and I both know how easy it is
To implant a subconscious thought.
-yes, of course.
You're right.
Yeah, and I suppose that anyone who's ever raised a teenager
Can imagine being murdered by them.
Mrs. Frederic (offscreen): I'll take this up with the regents.
We may be able to reach out to the brotherhood
Through other channels.
-this is not how I wanted to handle this, and you know it.
-Artie, I'm sorry--
-I trusted you!
-I'm trying to help you.
Nobody understands the perils of time travel artifacts
Like I do.
I've already lost two agents because of them.
I won't lose you too.
-I hope you're right.
But there's no turning back now.
-hello, I'm Agent Bering.
I'm here to talk to hank siskel.
Thank you..
-mr. Siskel, there's a lady cop here to see you.
-thank you.
-Pete, you are in the clear.
Hi, I'm Agent Bering.
I'm with the secret service.
I'm here investigating lenny bukowski's and tim watts's
Illnesses.
-yeah, yeah.
I saw you earlier.
Uh, yeah, lenny and tim.
It's an awful thing.
I'm real close to my guys.
-yeah, like india and pakistan.
-really?
Because I heard a rumor that you actually made them sick.
Hank siskel (offscreen): I made them sick?
Geez, talk about ungrateful.
Look, in this economy, I'm drowning here
Just keeping the lights on.
-get down off the cross.
We need the wood.
-your sign's, uh, incorrect.
Didn't your foreman have an accident here last week?
His crew thinks that you set it up
Because he lodged a complaint.
Then again, in this economy, maybe you
Needed the extra insurance money.
-come again?
-go myks!
(chanting) you are the 99%.
Hank siskel (offscreen): Is that why the secret service is here?
-but you're gonna need a confession
'cause I'm finding zilch.
-look, accidents happen all the time,
And it's always blame the company.
Let me tell you something, lady.
I'm fed up with this.
I'm calling my attorneys.
-where'd you get that belt buckle?
-what?
-your belt buckle.
Where did you get it?
-my buckle?
What?
Pete (offscreen): Forget it, myks.
He's not the guy.
-ok.
You know what?
Never mind.
Thank you so much.
I will be in touch.
Pete, what the hell is going on?
Pete (offscreen): We just got a call from the hospital.
There's a third rusting victim, a woman.
-what, another steel worker?
-no, that's the rub.
This one's never been to the mill.
Steve (offscreen): So, here we are from whence I came.
What next?
-I-- not a clue.
I would just like to say this out
Loud again, that we have no idea what the fallout might be.
-look, I can't live every minute of every day
Worrying about hurting you.
We need to do this.
-yeah, I know, ok.
Um, so put your hand here.
And then I-- I'm supposed to focus
On you, which is much easier with you not dead.
-so-- is that it?
Did-- did it work?
-uh, "to live free of this heart, one must find one's own
And make a pure start from whence one comes."
Did we not just do that?
-only one way to find out.
-st--
[GASPING FOR AIR]
Emma Jinks (offscreen): Steven?
What was that?
Oh my god, steven, what's happening?
Get up!
Get up, steven!
Steven, what's happening to you?
-that did not work.
-steven, talk to you.
-(gasping) we are never getting off this,
And I came home for nothing.
-steve.
-please tell me what's happening.
Talk to me.
Myka (offscreen): Ms. Miller, when did all this start?
-just this morning.
I thought it was an allergy at first.
-and you've never met hank siskel
Or been to the steel mill?
-am I going to be ok?
-yes.
Um, just excuse me for a second.
Hey.
-hey.
So the doc says lenny's going downhill fast.
He says tim's not much better.
-there has to be a connection between the three
Of them, Pete.
-karen, hi.
Um, have you ever met lenny bukowski or-- or tim watts?
Karen miller (offscreen): Well, I-- I don't think so.
Are-- are they sick, too?
Is this some kind of an outbreak?
-tully's.
Uh, ms. Miller, do you work out at tully's gym?
-y-yeah.
I do a little boxing.
-do any of the guys from the steel mill box there too?
-well, sure, a bunch of them.
Myka (offscreen): [inaudible].
Thank you.
It's like 200 degrees in here, and it smells like your room.
-eh, light a match.
-the owner says that hank siskel wouldn't
Be caught dead in here.
And now I can see why.
-what are you two doing here?
-well, it turns out siskel may not
Be the one making your friends sick after all.
-what makes you say that?
Myka (offscreen): Another victim.
This one's never been to the mill, but boxes here with you
Guys. -wait-- wait a minute.
So you're trying to say there could
Be something here at tully's?
-hey, there's nothing wrong with my gym.
I use bleach.
Sam garity (offscreen): That's just
Siskel trying to hit us where it hurts.
The fights here give people in this town something
To cheer for.
Of course he'd want to shut them down.
-you think he's that diabolical?
-everyone does.
Standing up to him keeps us strong.
You want to take that away from us?
Whose side are you on, anyway?
-I'm not on anybody's side.
-you know what?
You should be on the side of the workers.
-all right, all right.
You want to fight, take it in the ring.
Otherwise, let's break this up.
-so are you thinking--
-sam garity's our guy?
-he's certainly more interested in the cause than the truth.
-enough to maybe use an artifact to-- to make hank siskel
Look bad?
-myks, we gotta talk to these guys one on one
Before tim and lenny run out of time.
-how are we gonna do that?
-a little hands-on interrogation.
(imitating clubber lang) hey, fool.
What's my prediction for the fight?
Pain!
Oof.
Oh, oh, oh, ok, all right.
So you ever see anyone around here using anything,
I don't know, unusual?
You know, like, uh, I don't know, sam garity.
-what about him?
-he's-- he's pretty intense, isn't he?
-what do you mean?
-you know, his whole "stick it to the man" thing.
-he looks out for us.
-ah, right.
You, or his union?
-barking up the wrong tree, bro.
Artie (offscreen): Yeah, no, I got nothing.
Closest match I found was nero's lyre
From the great fire of rome.
If you play "sack of ilium," it's
Said to burn and peel your face off.
-ew.
Well, that's not exactly what this does.
Besides, I don't think anyone in this gym
Could play "the sack of ilium" on a lyre.
Pete (offscreen): So your union rep, does he, uh,
Does he collect anything antiquey?
-who knows?
Probably.
What do you care?
-no, I'm just saying, maybe he took out a couple guys
To make siskel look bad.
[BELL RINGING]
Artie (offscreen): In 1996, siskel,
He was then hank blalock.
He owned a restaurant in oakland.
He was arrested for labor abuse of illegal busboys.
-so the man is trash.
Sadly, he's just not our main suspect anymore.
-well then, who is?
Sam garity (offscreen): Fight it.
Nice.
Artie (offscreen): Myka, do you even have a suspect?
-possibly.
-you got something to say to me?
-uh, no.
No, just, uh, just getting some exercise.
-then why all the questions?
-well, some guys are getting sick.
The t hates siskel.
And that works out for you.
-ok, that's not good.
-wh-what's wrong?
Myka, where's Pete?
-uh, he's doing some hands-on I-I-interrogating.
I'll call you back.
-come on, sam.
It's cool just chill out.
-I got it, sam.
-oh boy.
Male speaker (offscreen): Let's go, cody.
-hey.
-what do you got against sammy?
-sammy?
We're friends.
-really?
-yeah.
Hey, you're a marine, huh?
-that's right.
-me too.
Where'd you serve?
-fourth battalion, third marines,
Fallujah and al asad air base.
Two different tours.
And yourself?
Pete (offscreen): Fifth battalion, seventh marines,
Afghanistan, the quiet years.
Well, you know, quieter.
-ok.
So why are you after my friend?
-I'm not.
But people are being poisoned, and he's got a motive.
[SHOUTING NOISE]
-hey!
-hey, it was a clean hit.
-Pete, are you ok?
Pete?
Emma Jinks (offscreen): Maybe I shouldn't have asked.
-I know this sounds, well, completely insane.
But steve is connected to this.
And we had hoped by coming here, we could u-unconnect him.
-I-- I'm not even going to pretend to understand what
You're talking about.
I-- I just thought that steve was finally
Here to talk about everything, after all this time.
-can I ask just what happened?
-sometimes you get a look, and you're just like her.
My girl.
-yeah, steve's mentioned that.
-so, um, it started at the sentencing
For the boy who killed olivia.
-a robbery gone bad, wasn't it?
-mm-hmm.
The state wanted to make an example of him,
So he was facing the death penalty.
And the trial-- all the months before, the waiting,
There was so much anger and pain, and I needed to be over.
-did they-- I mean, did he get the death penalty?
-I didn't see the point of adding this boy's family's
Suffering to our own.
It was enough that he was going to spend the rest of his life
In jail.
So I-- I fought against it.
-that must have been so hard.
-yes, until I saw his mother's face.
It was the right thing to do.
But stevie felt like I had betrayed olivia.
I thought that we would eventually make our peace
And get past it, but--
-but he just left.
-yeah.
-hmm.
This poem, it reminds me of the day my babies were born.
"from whence one comes."
-"from whence one comes."
-you know, I don't think there's a moment in a mother's life
That's more pure than that.
Claudia (offscreen): "make a pure start."
Myka (offscreen): Pete?
Pete?
It's time for the big fight.
-thank you.
I'm good-- I'm fine.
I'm fine.
Thank you.
-thank you very much.
Gym owner (offscreen): Good evening, ladies and gentlemen.
Welcome to tully's.
We got a great fight tonight.
In the blue corner, weighing in at 175 pounds,
The best of buell, todd murray.
[CROWD BOOING]
-you sure you're ok?
You still look a little woozy.
-that's my look.
Gym owner (offscreen): Weighing in at 180--
-there are a lot more people here though, right?
-yes.
Gym owner (offscreen): Dalton's new hope, cody bell!
[CROWD CHEERING]
-ah, ah-- loud, loud.
-Pete, listen.
When cody hit you, I think that I-- I saw something.
-all I saw were stars.
Oh, and birds.
-no, listen to me.
It-- it was almost like a shadow on his arm and then
A loud noise, like a-- like a yell.
-so what?
You think he whammied me?
-it went by so fast, I-- honestly,
I just-- I don't know.
-well, my money's on garity.
Every time I ask, his boy's unleashed.
-well, let's go find out.
-ok.
-you sure you're ok?
-yeah.
Sam garity (offscreen): Pound him, code.
Watch the hook!
-garity.
Hey, we know it's you.
-you know it's me what?
That's the stuff!
He's only been fighting a couple of months.
The kid's a natural.
-hey, quit stalling, ok?
Whatever you guys are using, it's killing people.
-I told you, siskel's your man.
Do it, code!
Do it for charlie!
-who's charlie?
-his dad, the foreman who had the accident.
-wait.
Sam, I-is cody using something to-- to make himself stronger?
-what the hell are you saying now?
-does cody know karen miller?
-yeah, yeah.
They went out a couple of times. [coughing] oh my god.
-Pete.
Pete, just-- just take him.
I'll stay here.
[CROWD CHEERING]
[SHOUTING NOISE]
-he's out!
[BELL RINGING]
-cody bell, dalton's own champion!
-hey, hey, marlene.
Now we can finally get that roof of yours fixed.
-hey.
-Pete, I was right.
I did see something.
Pete (offscreen): The question is, what is it?
-you still pissed?
-I'm sorry.
All this makes me crazy.
-well, schumann did go insane.
-ok, that's not helping.
-wow.
You know, in a parallel universe,
I could totally see this being my room.
Steve, what if "from whence one comes" isn't your home,
It's your mom?
And "make a pure start," that's the day you were born,
A moment of pure love between you two.
What-- what if schumann was tight with his mom?
-I guess it's all over then.
-why are you so angry?
I talked to her about it, and I get where she--
-he killed my sister.
-yes.
And isn't forgiveness a big part of the buddhism thing?
-well, I am a work in progress, ok?
I just-- I don't get how you can miss your daughter so
Much that you keep a room intact for years, but then you go out,
And you fight for her murderer's life.
-I tried to tell you, but you didn't want to hear it.
-so tell me now.
-steven, they're separate things.
Loving my daughter and my conscience,
They're-- they're separate things.
This is not good for your soul.
All this hate and anger is not good for you.
-no, mom.
I am sorry.
That scumbag is alive, and olivia's dead.
I mean, how can you-- it's like you-- you
Just-- you flip a switch.
-except that I didn't.
How can you say that?
I had to live with her death as much as you do,
And I didn't-- I didn't forgive that boy.
-well, it sure looked like it.
-no!
I have to forgive him every day, again and again, over and over.
Every single day of my life.
I have to let go of my anger.
-how do you do that, mom, because I sure as hell can't?
-I think about her.
You think about him every day, but I--
I think about her, because it's what she would do,
And I think that you know that.
-I want to let it go.
I really-- I really do.
Bu I don't know how.
-I don't know.
Maybe do what your mom does.
Maybe-- [sigh] think of olivia.
Charlie bell (offscreen): No, never been to tully's.
But my boy sure has made me proud.
-[laugh] yeah.
He seems like a great guy.
I-- I get a good vibe from him.
Myka (offscreen): Mr. Bell, where
Do you think that cody's sudden new-found boxing
Strength comes from?
-anger, maybe.
Our accident got him pretty upset.
Somebody messed with that gantry to make it fail.
-ok.
You just said our accident.
You mean cody was there?
-was he there?
He saved my life.
Damn it.
I'm getting too old for this.
-dad!
[SHOUTING]
-guys!
[SHOUTING]
-dad, you all right?
-it was unbelievable.
I'm 220 pounds.
And he lifted me up with one arm.
Myka (offscreen): Mr. Bell, we think
That cody may be using something artificial
To enhance his strength.
-you mean like roids?
-like roids on roids.
-no.
No way.
It ain't bad enough he did two tours in hell,
Comes home to a dead-end job in a busted-up town.
Now you think he's juicing?
There.
Read that.
My boy is a hero, purple heart, rescued two other soldiers
In an ied explosion.
-national museum.
Pete, uh, mr. Bell, would you, um, just
Excuse us for a second?
Thank you.
-yes, december 2005.
There was an explosion at the baghdad national museum.
South wing, they were housing a collection
Of 7th century peloponnesian items.
-peloponnesian-- the greeks.
-the 300 spartans and their stand against the persians.
-ah, dude, I love that movie.
I work out to it all the time.
-here.
All right.
Spartan armor is said to have been imbued
With their strength and defiance.
-that sounds like cody, fight-- fighting for his dad,
For his town.
-ok, but where do we find the artifact?
I mean, what are we looking for, a suit of armor?
-well, it could be in a piece of helmet.
It could be in a breastplate.
I know that archaeologists have found traces of iron
In spartan armor, which would explain the rust.
-all right.
We need to search his house.
-wait, wait.
The newspaper article-- the, the article
Said that-- said that cody was-- was struck
By shrapnel during the explosion.
So what if he doesn't know that he has it?
-holy crap, are you thinking--
-the-- the scars on cody's chest,
If they were caused during the explosion--
-the artifact could be inside him.
The scars are on the left side of-- of cody's chest, which
Is connected to his left arm, the same arm
That tim held at the picket line, the arm
That sam garity pushed at the gym, probably even the same arm
That cody used to save his father.
-yeah, no, no, myks.
Because he punched me with that arm.
How come I'm not sick?
Or the other boxers?
-well, [sigh] boxing gloves?
Maybe-- maybe it has to be skin on skin.
-and only in an emotionally heightened moment
Would its power be focused.
-no, no.
His dad's not rusting, ok?
Cody grabbed his arm.
He saved his dad's life.
That's pretty emotionally heightened.
-exactly.
It's possible that that incident is
What activated the shrapnel inside him.
Myka (offscreen): Right, because cody
Started making people sick after the mill accident.
Pete (offscreen): You know what?
This sucks.
Ok?
I don't want to take away this kid's strength.
This town needs something to root for.
-Pete, cody already put four people
In the hospital who are going to die if-- if we
Don't get this thing out of him.
The only question is, how do we do it?
-hey, cody.
You're dad's doing much better.
You been in to see him?
-uh, no.
Uh, wait a minute.
This started at the mill?
It's me?
-look, cody--
Cody bell (offscreen): I'm the one making people sick?
When were you going to tell me, man?
-just come with us.
-no, get away!
-cody!
Hey, cody!
Hey!
We just want to help.
Cody!
[SHOUTING]
-I bet I know where he's gone.
-mom.
I am so sorry.
All that I had left of her was my anger.
Maybe I got scared that letting that go meant letting her go.
-you couldn't let go of her if you tried.
[GASPING]
-mrs. Jinks?
-mom?
Mom, what's wrong?
-oh my god.
-it's the metronome!
-emma, emma, breathe!
-mom!
Mom!
Claudia, please do something!
-I don't know what to do!
Breathe, emma!
-damn thing!
-jinksy, no!
[GASPING]
-mom!
Hey, hey.
It's ok, it's ok.
You're all right.
It's over.
Claudia?
Claudia, am I--
-yeah.
You're alive.
-can you feel my heart beating?
-what-- what just happened?
-a-- a pure start.
You didn't care if you died.
All you cared about was her.
So you sacrificed your own heart to save her.
An act of pure love.
Welcome back, jinksy!
-welcome home.
[COUGHING]
Cody bell (offscreen): You almost killed my dad.
-your father had an accident.
-that you set up for insurance money,
Siskel, and everyone knows it.
-kid, you're out of your mind.
-am I?
Because somehow, now, because of that accident,
I am poisoning people-- everyone, my friends, everyone!
-cody, no!
Cody bell (offscreen): Man, are you nuts?
You guys told me this thing is killing people.
-you are a hero, cody.
Ok?
Don't waste it on a guy like siskel.
-no. Get out of my way.
-no!
-get out my way!
-no!
[GROANING]
-where's cody?
-you keep him away from me.
-where is he?
-he's by the milling machines.
[COUGHING]
Cody bell (offscreen): Oh, see, it's
Starting to happen to you now.
-that's right.
And it's going to keep happening,
'cause I'm not gonna let you do this!
[SHOUT]
-please, save me from that psycho cody bell.
Ow, let me go, will you?
-no, I'm not quite done with you yet.
-siskel took everything from me!
-no!
No, he hasn't.
You know who you are, cody.
This town needs you!
It needs you!
-move.
Siskel has to pay!
-I know who you are.
You're hank blalock.
You cut corners and played games in oakland,
Just like you did here.
-you can't prove that.
-really?
Should I call the fbi, or osha, or maybe just
Your insurance adjuster with a theory?
Or I could just hand you over to cody.
-all right.
All right, all right.
Yes, yes.
The gantry was rigged for the insurance money.
But they weren't supposed to try fixing it.
Nobody was supposed to get hurt.
What do you want from me?
-you're going to make this right.
-why is this happening to me, man?
Huh?
All we wanted was a fair shake!
That's it!
No, just stay down, stay down.
-no!
No, no!
You're gonna have to kill me.
Come on!
You can do it!
Are you a killer?
[ARMOR VANISHING]
-no, I'm not.
-(weakly) good.
[COUGHING]
-what did you do to him?
-I'm sorry.
He kept coming at me.
Look, I didn't mean to hurt anyone.
I'll-- I'll go get an ambulance.
-no, no, wait!
It's not gonna help, ok?
In order to stop his, in order to save everyone,
We need to neutralize the shrapnel that's in your chest.
-neutralize the sh-- ok, whatever.
How do we do that?
-we remove it.
-you can't.
It's up against my heart.
You-- you'll kill me.
[COUGHING]
-ok, so-- so, so, so we improvise.
-how?
What?
-I just-- I don't know.
The first aid kit.
Bring me the first aid kit.
Pete, I'm going to figure this out, ok?
You're going to be ok.
-ok.
-if we can't bring the artifact to the goo,
I will bring the goo to the artifact.
-myks, what are you doing?
-I'm bringing the goo to the artifact.
-can you do that?
-do you have a better idea?
[COUGHING]
-no.
Cody bell (offscreen): Look, look, look-- just do it, ok?
Forget about me.
Save them.
Do it.
Because if you won't, I will.
-oh my god.
-do it!
-ok.
Ok.
[SHOUT]
-ok.
Now that's a purple heart.
-how do I thank you guys?
I mean, I still don't know what happened.
Not only did you save me and my friends, looks like you guys
Saved our jobs too.
Siskel called sam garity, offered
To hire us all back in exchange for a truce.
-well, I guess you guys had them on the ropes.
-yeah.
Well, maybe next time, I can get you guys back.
-oh yeah.
Yeah.
-I'll just be over here.
-you all right?
-oh yeah.
Oh yeah.
Sorry I had to kick your ass.
[LAUGHTER]
-I was asking for it, right?
-semper fi, marine.
-semper fi, devil dog.
Take care of yourself.
-I'll take it any way I can get it.
-hi.
-hey.
So what did you say to siskel to get him to back off?
-oh, you know, did a little hands-on interrogation.
I learned it from my partner.
-ow.
No more punching.
I'm sensitive.
[LAUGHING]
[GROWLING]
-we are fortunate Leena had seen where he'd hidden it.
H. G. Wells (offscreen): I don't know
How comfortable I feel not telling him.
-it's for his own safety.
The less arthur knows about the whereabouts of the astrolabe,
The better it is for all of us.
Take this and disappear.
-I'd rather stay here and help you with the brotherhood.
-we cannot risk undoing what arthur
Did to restore the Warehouse.
-yes.
Well, I suppose that wouldn't be to my particular advantage.
-nor mine.
But that's not the point, as you know.
-I'll leave lenna my research on the dagger.
It's proven quite elusive.
-I'll try to settle this with the brotherhood.
In the meantime, you cannot communicate with any of us.
The brotherhood will apparently stop at nothing
To force arthur to use the astrolabe again.
You can trust no one.
[THEME MUSIC]